Wednesday, October 19, 2011

White Rock Lake Artist's Studio Tour 2011


The White Rock Lake Artist's Studio Tour is the oldest and largest self-guided studio tour in Dallas.  There were 45 official marked stops on this year's tour which includes 5 art centers and schools, with the Bath House Cultural Center and the Creative Arts Center being two of those.  A fold out map with names, short media description, and addresses can be found at each stop.


Some years I try to make it to all or almost all of the stops. This tour is always scheduled for the middle weekend of October,  and there is always lots to do in Dallas when the weather finally turns cooler so I don't always make it out. There have been a few years that I have been in London for Frieze Art Fair during this time period. This year I only had a few hours to use on Sunday afternoon, so I choose 10 studios to visit and I've included pics from 6 of the studios in this post.


My first stop was at the home and studio of Kathy Boortz.  Kathy makes figurative objects, usually birds, using parts of garden tools, chunks of wood, molding material, and paint.  Her studio is a small room on the back of her house.  She displays her work each year around her back yard patio area.  I enjoy seeing all of the tools and books and clay sculptures in her small studio.







Kathy usually has a figure or two that represent a politician or a political ideal.  I overheard her talking to some other visitors about the Occupy Wall Street events that were going on in Dallas this same day.  I imagine that was some of the thought behind the "Revolutionary" figure.


Next up is the clay studio of Marty Ray.  Marty throws clay on a wheel and forms traditional vase forms.  She then inscribes figures, objects and scenes around the surface of the vessel.  She finishes with glazes and finishes her process in a high fire kiln.  I had three of Marty's vases in my collection; unfortunately one broke.  I hope to find one I can't live without again soon!





The little signs on the front of the shelves say, "The Pots say: Pick us up and turn us around to see the whole picture."  Marty isn't just a potter, she's a story teller as well.


Matt Bagley opened his fine art print making studio, Iron Frog Press, for the event.  It was interesting hearing Matt talking about his wood cuts and multi-ink press processes.




Matt's wife, Sharon, is a photographer.  I recognized several of the works that she had up inside their house.



Sharon's photograph on the left was from a recent themed group exhibition at the Bath House Cultural Center.  The three "smoke" photos on the right are examples of work Sharon recently had accepted into a new hospitality project in a hotel in Plano, a northern suburb of Dallas.


Glo Coalson had the most interesting and informative self-guided studio tour.  She covered counter tops with brown butcher paper and wrote short descriptions at each station.  Out in the yard, Glo exhibited her paintings and bronze sculptures.  But it's her clay pigeons that she is probably best known for locally.  I've seen Glo's pigeons in people's homes who are not art collectors.  So it is little wonder that her self-guided studio tour describes how she makes pigeons utilizing a slip cast mold process.











Glo's was certainly one of the most interesting stops.  Some people would probably rather talk to the artist.  But I saw how many people were talking to her as I was there!  This was a nice way to talk about her work and her process without having to talk to each and every individual that came through her studio during those two days.


Another studio that I enjoy visiting is that of Chris Lyons. Chris creates abstract sculptures out of stone or wood, but he also had a plaster model ready to be cast in fiberglass when I visited.





There's just something about all that heavy stone and wood and the many carving tools that appeal to me.  Some of the artists work in spare rooms inside their homes or in converted garages.  It's exciting for me to see an artist that takes the plunge to build a separate studio, get to work, and then watch as the studio progresses along with the work year after year.


My last stop of the day was at the studio of Nancy Ferro.  Nancy told me just as I arrived that she had made some very good sales during the tour. So she was very happy and full of energy. Just after I arrived a woman came in who said this was the first time she had ever explored the White Rock Lake Artists Studio Tour.  She was hesitant to enter the studio at first.  Nancy explained that she paints using encaustic.  The visitor had never heard of encaustic, so another art tutorial began.  I really enjoy watching and listening as artists talk about their work and process.








Thursday, October 13, 2011

September Dallas Fall Gallery Walk

Ray-Mel Cornelius, Robert Browning, acrylic on canvas, 9" x 12", 2011

We saw several new galleries open in Dallas this year, and a number of these opened just in time to introduce themselves at the opening of the Fall art season.  A couple of galleries began the season by exhibiting a sample of works by each of the gallery's represented artists.  A number of other galleries in town focused on solo shows of one or two of their own artists, and I noticed that these shows often featured some of North Texas' favorites.  I saw many red dots as I traveled around to the galleries, so I hope to be able to see some of these fantastic works in friends' homes or businesses soon!

Ray-Mel Cornelius, Charles Baudelaire, acrylic on canvas, 11" x 14", 2011

These first two pics are from Ray-Mel Cornelius' solo exhibition, "Poets and Cattle", at  
Norwood Flynn Gallery.  A bit of poetry to accompany the art as we begin this journey.

 Jay Maggio, Flaming Bradfords II, oil on canvas, 12" x 16"

Jay Maggio, Pink Seduction, oil on canvas, 9" x 12"

Craighead Green Gallery featured three solo exhibitions by Arturo Mallman, Jay Maggio, and Heather Gorham. CG Gallery is one of the largest white wall gallery spaces I have seen.  They have ample space for four large scale separate exhibitions.  I've cropped out the frames from Maggio's paintings.  They were all very nice and uniform in black wood.  But it is his varying mark making techniques and the vibrant colors that attract my attention.

 Heather Gorham, Awash in the Everyday, 14" x 6" x , bronze, resin, mixed media assemblage

Heather Gorham, The Private Life of a Hare, 15" x 17" x 9", printed resin, urethane paint

Heather Gorham, Flowering Lamb of Odd, 19" x 17" x 17", printed resin, urethane paint

Heather presented us with a plethora of sculptures and paintings which fit easily in the front gallery space at Craighead Green Gallery.

Otis Jones, Two White Slits on Red, mixed media on canvas, 30" x 30" x 4", 2011

Otis Jones, Black Rectangle with Four Red Rectangles, mixed media on canvas,
80" x 36" x 4", 2011

Holly Johnson Gallery opened the season with local favorite Otis Jones.  Jones continues his investigation in the abstract with these minimalist objects. Dan Pritchett has written a review of this exhibition which has been published in the October issue of Arts+Culture Magazine DFW.

Kirk Hays, Counting to Ten (The Artist Playing Hide and Seek with His Innocence and His Granddaughter),
oil and spray enamel on signboard, 45" x 40", 2011

Kirk Hays, Deluge Groin High, oil and spray enamel on signboard, 35" x 36", 2011

Conduit Gallery presented three solo exhibitions in their large gallery.  Guy Mendes, Kirk Hays, and Sandra Ono in the Project Room. Hays' trompe-l'oeil paintings appear to be collage on a wood grain surface, but they are actually paint on board.  Even standing directly in front of them they look like collage, lots of hard work to achieve this allusion.

Paul Manes, (no title listed), oil on canvas, 30" x 28", 2011 

Isabelle du Toit, Cardinal Fledgling, oil on canvas, 12" x 12", 2011

I stopped back by Cris Worley Fine Art to view Charlotte Smith's show which I wrote about and posted on September 10. I stepped into CWFA's "small gallery" and found these two paintings pictured above.  Most galleries hang some small works in their restroom, and I have at least six in both of my bathrooms at home.  It's a great use of space, and I often look at some art in gallery wash rooms longer than the paintings out on the large white walls.

Linda Dee Guy, Re-Orient No. 7, mixed media wall installation, dimensions variable, 2011

Linda Dee Guy solo exhibtion installation view
works shown from left to right:

System No. 4, mixed media drawing on Yupo paper, 42" x 60", 2008
System No. 12, mixed media, 50" x 120", 2010
Translucent Cells, mixed media, 50" x 60", 2011
System No, 1, graphite on Yupo paper, 50" x 35", 2007

a view of Translucent Cells prior to wall installation

Ro2 Art Uptown had a gallery artists group exhibition up for the beginning of September, then installed a solo exhibition starting September 24 with works by Ft Worth artist Linda Dee Guy.  I included the pre-installation pic of Translucent Cells to show how this piece might look if installed in a window.  Guy stated that she had originally planned this piece to hang in a window in an upper floor loft.  This work is truly beautiful with light glowing from behind.  The Dallas Observer has published a fine review of this exhibition.  Ro2 Art's Downtown space has hosted a solo exhibition by another Ft. Worth artist, Christoph Blay.

At least four new galleries opened in Dallas just prior to the start of the Fall art season.  I have yet to visit The Reading Room or Oliver Francis Gallery. I did stop by Smoke and Mirrors Gallery as they were setting up for the first show.

Chuck and George, La Douche, mixed media on panel

Leslie Marshall, Walking Green

Smoke and Mirrors Gallery is a new alternative gallery space that focuses on local outsider art.  Chuck and George are a local couple that paint collaboratively under this nom de plume.  They work individually as Brian Scott and Brian Keith Jones.  I have one of each of their individual works in my collection.

The fourth new gallery, and the final set I will show in this blog post, is only slightly new to the art scene.  Dunn and Brown Contemporary had been in operation in Dallas for about 10 years.  I enjoyed seeing the programming Dunn and Brown exhibited locally as well as at Scope London, Scope Miami, and Art Miami over the years.  Brown left the gallery this summer to offer private art consultation services.  Tally Dunn renamed the gallery Tally Dunn Gallery, made a few changes to the programming, and opened with a gallery artists group exhibition on September 10.  Here are some works by artists that I admire and caught my eye on the day that I visited:

Erick Swenson, Muncie Head, plastic and acrylic paint, 14" x 10.5" x 10", 2001, edition of 7

Joseph Havel, Throwing Stars, bronze with patina, 31" x 30.25" x 1.25", 2010

Joseph Havel, Single Star, bronze with patina, 26" x 16" x12", 2007

Susie Rosmarin, Spectrum #11, acrylic on canvas, 60" x 60", 2009

David Bates, Cleaning Table, oil on canvas, 36" x 28", 2010

Linda Ridgway, Somewhere in the twirled branches, and he is singing, bronze unique,
21" x 24" x 18", 2011

Xiaoze Xie, The Parade, ink on rice paper, 42" x 62.25", 2007

Annette Lawrence, from left to right:
Paper Reel #2
Luminous Paper Sphere
Luminous Paper Sphere #2
each are photocopy with acrylic on paper, 26" x 40", 2011

Trenton Doyle Hancock, The Year, suite of five etchings,
etching, silkscreen, and airbrushed watercolor, each 28.25" x 27.5", 2009

Vernon Fisher, Red Mulberry, acrylic on canvas over panel, 44" x 48", 2011

Nic Nicosia, I See Light,
twenty individual images as unique installation,
archival inkjet prints on somerset watercolor paper,
15" x 24" each, 2009

Dale Chihuly

Helen Altman

Ted Kincaid, from left to right:
Open Sea 811
Open Sea 7291
Open Sea 719
Open Sea 720,
each are digital photograph printed on Hahnemuhle photo paper,
24" x 18", each edition of 10, 2011

Sunday, October 9, 2011

Art at NorthPark Center

Mark di Suvero, Ad Astra, painted steel, 2005

NorthPark Center opened in Dallas in 1965.  I moved to Dallas with my family in 1969.  I was instantly in awe of NorthPark mall the first time my mom drove us into the city from the suburb of Richardson.  All of these years later I am still in awe of NorthPark Center, and since I live just a few freeway exits south I visit the Center all the time!

Barry Flanagan, Large Leaping Hare, gold leaf over bronze, on painted tubular-steel base, 1982

Ad Astra and Large Leaping Hare are my favorite sculptures in the Center.  Flanagan's Hares are so joyous to me.  I love seeing his sculptures at the art fairs when they are available.

Andy Warhol, silk screen prints

The Warhol prints are some of my earliest memories of art in the Center.  I didn't take any visual art classes in school after the middle grades.  The art at the Center was really my only connection to fine art until I was in my twenties.

Antony Gormley, Three Places, lead, fiberglass, and plaster, 1983

These early lead works are some of the first Gormley sculpted in which he used his own body as the model. Gormley's website states "In Three Places the body cases completely enclose the internal form, making it hermetic. The pieces identify three basic body postures - lying, sitting, and standing."  NorthPark Center is a perfect setting for this sculpture.  The Center is hermetically sealed from the external elements, and one can find thousands of items to enclose their own body while lying, sitting, or standing.

Frank Stella, Washington Island Gadwall (Exotic Birds), crayon, enamel and glitter on aluminum, 
1980 - 81

This piece is huge at almost 12 feet by 19 feet and it curves almost 2 feet off of the wall.
It is hung 10 feet off of the floor, if not higher.  Hard to photograph well, but it certainly demands attention in person!

Joel Shapiro, 20 Elements, wood and casein paint, 2005

There are many photos of this sculpture on the web.  This is my usual view of the Shapiro as I make my way through the Center.  The plants are constantly changed throughout the year.

Jim Dine, The Field of the Cloth of Gold, painted bronze, 1987 - 88

Claes Oldenburg and Coosje van Bruggen, Corridor Pin, Blue, stainless steel and painted aluminum, 1999

The Center completely surrounds a 1.4 acre landscaped garden named CenterPark.  

Jonathan Borofsky, Hammering Men, mechanized painted steel plate and Cor-Ten steel, 1984 - 85

There are five of these giant hammering sculptures in this area of the Center.  I believe there is at least one other non-moving Hammering Man outside on the outer perimeter of the Center.  The mechanical sounds these sculptures make add a counterpoint to the cacophony of human voices that echo through the Center, adding yet another artistic element to the experience.

Anish Kapoor, The World Turned Outside In, polished stainless steel, 2003
collection of Louis Vuitton

NorthPark Center began as the brainchild of real estate developer Raymond Nasher.  When the Center first opened in 1965 it was the largest climate-controlled retail center in the world. Raymond and his wife, Patsy, began collecting art around the same time NorthPark Center was being built.  Nasher later gave the lead gift for the creation of the Nasher Sculpture Center.

Wednesday, October 5, 2011

Turner Carroll Gallery at the Hotel ZaZa Art House and Social Gallery

Turner Carroll Gallery at the Hotel ZaZa Art House and Social Gallery

At the beginning of 2011, Turner Carroll Gallery of Santa Fe NM announced that they would be opening a project space in Dallas in cooperation with Hotel ZaZa.  Stay ZaZa is the hotel's
 arts and events space where Turner Carroll is curating exhibits of nationally and internationally known artists.  We have visited the gallery in Santa Fe a number of times over the years, but we actually first met Michael Carroll and his wife Tanya Turner Carroll at the Miami art fairs.  It has been a pleasure to visit with them as they bring their outstanding programming to Dallas.

It is almost as if Turner Carroll Gallery at Hotel ZaZa has been staging their own version of Pacific Standard Time since they opened at the beginning of this year.  However, many of the the artists presented are currently living and working in the Bay Area rather than SoCal.  First up was Ashley Collins, an artist from Venice, CA.  Next, Turner Carroll brought us selected works by Hung Liu.  Hung Liu lives and works in the Bay Area, but her first job in the US after emigrating from China was at the University of Texas.  The Dallas Museum of Art was the first American museum to add her work to their permanent collection.  Their third exhibition featured Eric Zener, Conrad Kern and Gino Miles.  Eric Zenner also lives in the Bay Area.  His studio happens to be near Hung Liu's studio and they utilize the same shop to have resin applied to their canvases.

This brings us to the current exhibit West Coast Women.  Three women artists from San Francisco - Inez Storer, Jenny Honnert Abell, and Deborah Oropallo.

Inez Storer, The Ordinary Life of Natalia Ortiz, oil and collage on panel

The letters collaged in at the bottom of this painting were being discarded after Storer's neighbor, Natalia Ortiz, passed away and her apartment was being cleaned out.

Inez Storer, Land of the Free, oil and collage on panel

Storer is married to Andrew Romanoff, who is also represented by Turner Carroll Gallery.  Interestingly, Romanoff is the grandnephew of Russia's last reigning Emperor, Tsar Nicholas II.

Jenny Honnert Abell, Just Another Day, mixed media, sewing, collage and painting on panel

From Abell's statement we learn that her "...collage work began in 1995 when I could no longer fight off the oppressive urge I felt to make pictures out of the harvest of my years of scavenging."  Her surfaces are rich with textures of paper, cloth, fine mesh, stitched threads and paint.

Jenny Honnert Abell, Book Cover No. 59, mixed media

At 9 3/4" x 12", this small framed work is presented on a wall of other small Book Cover works.  Abell's birds with human heads began after a difficult time in her life.  She states that these provide an escape into a fictional world where she can observe life from a safe vantage point.

Deborah Oropallo, Gladiatrix, cotton Jacquard tapestry

Oropallo's gender-bending imagery combines classic male portraits with contemporary women's fashion shoots to address the two universal themes of sex and power.  She matches the eyes and layers the two images together, usually choosing figures that stand in similar poses.  Costumes, especially sexy fetish costumes, figure prominently in her work.

Deborah Oropallo, Colt, pigment print on aluminum

This exhibition will be up through October 17.  Currently, Turner Carroll Gallery at Hotel ZaZa is opened only on Friday and Saturday.  However, the Dallas gallery director, Lizzie Herbert, told me that they plan to start having hours of operation from Tuesday through Saturday soon.